PROMETHEA

My new collection, “Promethea,” debuts on Nifty Gateway today at 6:30pm ET. I am immensely proud of the work, and the multi-layered meaning that channeled through me.

It is a story at once ancient and familiar: a musing on the mystical power technology has to lift us beyond the realm of the animal and into the divine.

The series – a triptych of VideoPaintings and a title card – is inspired by the myth of Prometheus. Regarded as the father of technology, his name means "foresight."

I love the old stories, because they remain widely accessible cultural touchstones. Their ubiquitousness allows much room for play.

My Promethea also plays with Fire – the OG technology. The advent of Fire marks the dawn of human civilization. It's the essence of catalysis – a liminal substance, both physical and incorporeal at once.

And yet, if not handled with expert care, Fire can burn down everything it helped to build. With great power comes great responsibility. But I feel much is made of this aspect lately – critique is the most facile form of expression, after all. And so, with my Promethea, I wish to lean into an unbridled vision of technology’s power for positive transformation.

Snatched – VideoPainting #1 from Promethea

In "Snatched", the 1st VideoPainting, I show Promethea as gaining access to the gods' reverie. Clever Promethea knows just where Zeus keeps his fire, and wastes no time in appropriating it.

Empowerment is self-bestowed upon those who do not fear to seize it.

Promethea’s Fire – VideoPainting #2 from Promethea

In "Promethea's Fire," the 2nd VideoPainting, our hero delights in wielding her will in the world. She brings back the fire to the human realm so that others may use it.

The great movements of progress are ignited by individuals acting out slivers of divine inspiration.

In the myth, much is made of the hero's suffering. The punishment for stealing fire is to be bound for eternity as an eagle eats his liver daily.

Such a drama queen!

I feel, in showing Promethea as a woman, the suffering is implied. We are, after all, bound to our bodies. Cyclical body horror is no stranger to us!

Unbound – VideoPainting #3 from Promethea

And so, in "Unbound," the final VideoPainting, I skip to my interpretation of a lesser told part of the myth.

This is a story of Techgnosis through personal revelation. The fire of the gods allows us to transcend the limits of our own bodies. We can become unbound!

There are layers hidden within the series. It's not my place to be prescriptive of your experience. I invite you to investigate them for yourself.

My hope is that curators will feel inspired to do their invaluable dance and place the work into context within its lineage.

"Promethea" was minted as erc721s on a standalone Manifold Studio contract (View the full collection on OpenSea), and will be sold through ranked auction and open edition on Nifty Gateway.

The ranked auctions start at 6:30pm ET and run to 8pm ET. The open edition is priced at $1370, and mints from 7-7:05pm ET.

View and Purchase the Promethea Title Card Open Edition here.

View and Bid on the Promethea Triptych Here.

Madame de Gateau

Laisse-moi me manger comme un gâteau – Let me eat myself as cake!

MADAME DE GATEAU is a signature VideoPainting I created in my Hollywood Studio in 2021. This organic channeling of the camp feminine is a celebration of self-sovereignty – and self-consumption.

I took some inspiration from The Edible Woman, a Margaret Atwood novel I read in college that left a huge impression on me. It examines how women are traditionally consumed by society, and at one point the central character eats a cake she baked shaped like a woman as a metaphor for her own empowerment.

I see this piece as a spiritual descendent of Ouroboros, my 2020 VideoPainting currently in the Metapurse collection.

On a personal level, the concept makes me giggle a bit: I used to be exploited as an artist in the days before I could develop support through NFTs. And now, no one can exploit me… but me!

And of course, there’s the reference to that icon of royal excess, Marie Antoinette. I don’t seek to condemn or exonerate her, but I do feel the decadence she personifies and the precarity of her status are relevant to our moment.

Largely I’m tickled by the cake-like personal fashions of the 18th century!

Madame de Gateau is now available on SuperRare with a reserve of 12Ξ.